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【分轨】赠送课程使用软插件合集包 2022-10-16 20:26:55 | |||
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1.2混音设计思维全析_.mp4 | 2022-10-16 20:26:55 | 256.5 MB | |
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1.3掌握“审美”“活用”比模式来的快_.mp4 | 2022-10-16 20:26:55 | 72 MB | |
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1.4遇事买硬件有意义吗？_.mp4 | 2022-10-16 20:26:55 | 140 MB | |
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1.7学会用混音思维去听歌_.mp4 | 2022-10-16 20:26:55 | 153 MB | |
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1.8养成编曲评价能力_.mp4 | 2022-10-16 20:26:55 | 116.5 MB | |
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1.9如何避免听觉疲劳？_.mp4 | 2022-10-16 20:26:55 | 47 MB | |
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10.11Organ风琴铺底混音思路_.mp4 | 2022-10-16 20:26:55 | 476.5 MB | |
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10.1R&B工程整理_.mp4 | 2022-10-16 20:26:55 | 673 MB | |
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10.2Kick饱满圆润感塑造_.mp4 | 2022-10-16 20:26:55 | 830 MB | |
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10.3Snare弹性层次感塑造_.mp4 | 2022-10-16 20:26:55 | 660.5 MB | |
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10.4Loop律动铺底混音塑造_.mp4 | 2022-10-16 20:26:55 | 660 MB | |
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10.5CowbellShakerSample混音塑造_.mp4 | 2022-10-16 20:26:55 | 763.5 MB | |
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10.63轨不同层次Bass的塑造_.mp4 | 2022-10-16 20:26:55 | 595.5 MB | |
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11.11用CLA-Guitar塑造宽大电吉他_.mp4 | 2022-10-16 20:26:55 | 539 MB | |
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11.12剩余电吉他轨道混音塑造_.mp4 | 2022-10-16 20:26:55 | 765 MB | |
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11.13Synth点缀音色处理_.mp4 | 2022-10-16 20:26:55 | 334 MB | |
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11.144轨和声的统一处理_.mp4 | 2022-10-16 20:26:55 | 291.5 MB | |
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11.15indieRock-《EnDance》母带处理_.mp4 | 2022-10-16 20:26:55 | 328.5 MB | |
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11.1IndieRock工程整理_.mp4 | 2022-10-16 20:26:55 | 500 MB | |
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11.2电平平衡、通道分配_.mp4 | 2022-10-16 20:26:55 | 904.5 MB | |
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11.4Snare同期录制的混音塑造_.mp4 | 2022-10-16 20:26:55 | 619.5 MB | |
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11.5Overheads严重串音快速塑造方法_.mp4 | 2022-10-16 20:26:55 | 414 MB | |
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11.9扫弦电吉他Haas摆位塑造_.mp4 | 2022-10-16 20:26:55 | 553 MB | |
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12.10人声主声部混音塑造（Chorus）_.mp4 | 2022-10-16 20:26:55 | 505.5 MB | |
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12.13剩余电吉他音轨的处理_.mp4 | 2022-10-16 20:26:55 | 161 MB | |
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12.14电钢琴宽大感塑造_.mp4 | 2022-10-16 20:26:55 | 224 MB | |
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12.15萨克斯混音塑造_.mp4 | 2022-10-16 20:26:55 | 156.5 MB | |
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12.16长号混音塑造_.mp4 | 2022-10-16 20:26:55 | 124.5 MB | |
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12.17BackingVox人声和声混音塑造_.mp4 | 2022-10-16 20:26:55 | 266.5 MB | |
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12.18Funk-《Can'tLetYouGo》母带处理_.mp4 | 2022-10-16 20:26:55 | 423.5 MB | |
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12.2电平平衡、通道分配_.mp4 | 2022-10-16 20:26:55 | 378.5 MB | |
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12.3解决Kick臃肿问题，塑造力度_.mp4 | 2022-10-16 20:26:55 | 441 MB | |
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12.4Snare鼓面、鼓边分别塑造_.mp4 | 2022-10-16 20:26:55 | 632.5 MB | |
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12.5让Overheads成为丰富鼓组的利器_.mp4 | 2022-10-16 20:26:55 | 366 MB | |
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12.74轨分轨Tom如何平衡？_.mp4 | 2022-10-16 20:26:55 | 1.07 GB | |
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12.9人声主声部混音塑造（Verse）_.mp4 | 2022-10-16 20:26:55 | 1 GB | |
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13.11金属Bass节奏感塑造_.mp4 | 2022-10-16 20:26:55 | 396.5 MB | |
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13.13电吉他DT设计混音处理（一）_.mp4 | 2022-10-16 20:26:55 | 267 MB | |
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13.14电吉他DT设计混音处理（二）_.mp4 | 2022-10-16 20:26:55 | 210 MB | |
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13.17电吉他统一再平衡_.mp4 | 2022-10-16 20:26:55 | 246.5 MB | |
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13.18辅助电吉他混音塑造（一）_.mp4 | 2022-10-16 20:26:55 | 217.5 MB | |
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13.19辅助电吉他混音塑造（二）_.mp4 | 2022-10-16 20:26:55 | 255 MB | |
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13.1MetalRock工程整理、通道分配_.mp4 | 2022-10-16 20:26:55 | 425.5 MB | |
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13.20辅助电吉他混音塑造（三）_.mp4 | 2022-10-16 20:26:55 | 290 MB | |
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13.22巴松、大号、钟铃、马林巴琴_.mp4 | 2022-10-16 20:26:55 | 218.5 MB | |
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13.24MetalRock-《Progresivo》母带处理_.mp4 | 2022-10-16 20:26:55 | 277 MB | |
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13.2LevelBalance（59Track）_.mp4 | 2022-10-16 20:26:55 | 629 MB | |
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13.5Snare金属冲击感合理塑造_.mp4 | 2022-10-16 20:26:55 | 210.5 MB | |
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13.6Overheads、Drumsroom塑造_.mp4 | 2022-10-16 20:26:55 | 243.5 MB | |
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13.9Ride常规混音塑造_.mp4 | 2022-10-16 20:26:55 | 279 MB | |
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14.16人声主声部混音（Verse）_.mp4 | 2022-10-16 20:26:55 | 352.5 MB | |
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14.17人声主声部混音（Chorus）_.mp4 | 2022-10-16 20:26:55 | 351 MB | |
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14.19铺底电吉他宽大处理_.mp4 | 2022-10-16 20:26:55 | 236.5 MB | |
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14.1PunkRock工程整理_.mp4 | 2022-10-16 20:26:55 | 338 MB | |
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14.22主音电吉他混音塑造_.mp4 | 2022-10-16 20:26:55 | 241.5 MB | |
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14.23当碰到容易被埋没的电吉他，怎么办？_.mp4 | 2022-10-16 20:26:55 | 155.5 MB | |
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14.24过渡铺底电吉他，电吉他BUS混音_.mp4 | 2022-10-16 20:26:55 | 237 MB | |
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14.26木吉他Solo混音塑造_.mp4 | 2022-10-16 20:26:55 | 238.5 MB | |
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14.27人声伴唱和声混音塑造_.mp4 | 2022-10-16 20:26:55 | 430 MB | |
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14.29Synth与SFX音效的处理_.mp4 | 2022-10-16 20:26:55 | 437 MB | |
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14.2LevelBalance（50Track）_.mp4 | 2022-10-16 20:26:55 | 488.5 MB | |
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14.4Kick爆发力的进一步塑造_.mp4 | 2022-10-16 20:26:55 | 335.5 MB | |
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14.5KickSample过渡设计_.mp4 | 2022-10-16 20:26:55 | 317 MB | |
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14.6SnareUp.Down结实感塑造_.mp4 | 2022-10-16 20:26:55 | 294 MB | |
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14.7SnareSample冲击感塑造_.mp4 | 2022-10-16 20:26:55 | 248 MB | |
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15.2西非手鼓打击混音思路_.mp4 | 2022-10-16 20:26:55 | 220 MB | |
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15.5尤克里里扫弦混音塑造_.mp4 | 2022-10-16 20:26:55 | 244 MB | |
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15.6小提琴混音与包络设计_.mp4 | 2022-10-16 20:26:55 | 264.5 MB | |
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15.7中提琴混音与包络设计_.mp4 | 2022-10-16 20:26:55 | 303.5 MB | |
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16.10萨克斯群奏混音思路与技巧_.mp4 | 2022-10-16 20:26:55 | 305 MB | |
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16.11长号群奏混音思路与技巧_.mp4 | 2022-10-16 20:26:55 | 261.5 MB | |
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16.12Jazz-《Makin'Whoopee》母带处理_.mp4 | 2022-10-16 20:26:55 | 199.5 MB | |
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16.2Overheads混音塑造_.mp4 | 2022-10-16 20:26:55 | 258 MB | |
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16.3解决巨坑爹的同期Kick_.mp4 | 2022-10-16 20:26:55 | 155 MB | |
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16.4同期Snare混音塑造_.mp4 | 2022-10-16 20:26:55 | 188.5 MB | |
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16.5BassDI温暖塑造_.mp4 | 2022-10-16 20:26:55 | 97.5 MB | |
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16.6人声主声部混音_.mp4 | 2022-10-16 20:26:55 | 243.5 MB | |
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16.8电吉他节奏混音_.mp4 | 2022-10-16 20:26:55 | 279 MB | |
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16.9小号群奏混音思路与技巧_.mp4 | 2022-10-16 20:26:55 | 215 MB | |
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17.10长号与大号混音塑造_.mp4 | 2022-10-16 20:26:55 | 186.5 MB | |
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17.11法式圆号混音塑造_.mp4 | 2022-10-16 20:26:55 | 109 MB | |
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17.1MovieOrchestral工程整理_.mp4 | 2022-10-16 20:26:55 | 308.5 MB | |
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17.3浪漫主义与马来西亚鼓混音塑造_.mp4 | 2022-10-16 20:26:55 | 283 MB | |
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17.4综合打击乐混音（手鼓）_.mp4 | 2022-10-16 20:26:55 | 75 MB | |
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17.5综合打击乐混音（风铃、锤）_.mp4 | 2022-10-16 20:26:55 | 105.5 MB | |
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17.6氛围Pad混音塑造_.mp4 | 2022-10-16 20:26:55 | 188.5 MB | |
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18.10塑造一个饱满的Bass撑起现场低频_.mp4 | 2022-10-16 20:26:55 | 118 MB | |
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18.12让BackingVox不要埋没_.mp4 | 2022-10-16 20:26:55 | 165 MB | |
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18.13Live音乐会同期空间设计_.mp4 | 2022-10-16 20:26:55 | 277 MB | |
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18.14总线处理_.mp4 | 2022-10-16 20:26:55 | 151 MB | |
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18.1LiveSoul工程整理、电平平衡_.mp4 | 2022-10-16 20:26:55 | 468.5 MB | |
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18.4解决动圈人声过闷问题_.mp4 | 2022-10-16 20:26:55 | 285 MB | |
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18.7HiHat快速塑造处理_.mp4 | 2022-10-16 20:26:55 | 129.5 MB | |
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18.8Tom、OHRide混音塑造_.mp4 | 2022-10-16 20:26:55 | 209.5 MB | |
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18.9电钢琴混音塑造_.mp4 | 2022-10-16 20:26:55 | 183.5 MB | |
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2.10MIDI导出的Mono和Stereo_.mp4 | 2022-10-16 20:26:55 | 148.5 MB | |
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2.11MIDI鼓组导出音轨方法_.mp4 | 2022-10-16 20:26:55 | 534.5 MB | |
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2.13MIDI键盘类导出音轨方法_.mp4 | 2022-10-16 20:26:55 | 206 MB | |
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2.6键盘通道录音认识_.mp4 | 2022-10-16 20:26:55 | 400 MB | |
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2.8铜管通道录音认识_.mp4 | 2022-10-16 20:26:55 | 27.5 MB | |
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2.9木管通道录音认识_.mp4 | 2022-10-16 20:26:55 | 29 MB | |
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3.10吉他贝司声场摆位_.mp4 | 2022-10-16 20:26:55 | 985.5 MB | |
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3.11键盘弦乐声场摆位_.mp4 | 2022-10-16 20:26:55 | 362.5 MB | |
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3.14Drums采样替代_.mp4 | 2022-10-16 20:26:55 | 422 MB | |
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3.15Strumming节奏修正_.mp4 | 2022-10-16 20:26:55 | 365.5 MB | |
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3.1新建工程注意要素_.mp4 | 2022-10-16 20:26:55 | 303 MB | |
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3.3段落标记划分_.mp4 | 2022-10-16 20:26:55 | 497 MB | |
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3.4充分利用Mixer_.mp4 | 2022-10-16 20:26:55 | 401.5 MB | |
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3.5多轨电平如何平衡？_.mp4 | 2022-10-16 20:26:55 | 1 GB | |
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3.6搭建Bus、VCA轨_.mp4 | 2022-10-16 20:26:55 | 851 MB | |
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3.7搭建Reverb、Comp轨_.mp4 | 2022-10-16 20:26:55 | 510 MB | |
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3.8Vocal声场摆位_.mp4 | 2022-10-16 20:26:55 | 672 MB | |
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4.10木吉他频率听感规律_.mp4 | 2022-10-16 20:26:55 | 191.5 MB | |
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4.11电吉他频率听感规律_.mp4 | 2022-10-16 20:26:55 | 146 MB | |
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4.12声音动态感训练_.mp4 | 2022-10-16 20:26:55 | 59 MB | |
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4.13Attack与Release感受训练_.mp4 | 2022-10-16 20:26:55 | 57.5 MB | |
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4.15日常专业练耳训练完美解决方案_.mp4 | 2022-10-16 20:26:55 | 134.5 MB | |
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4.4Level-电平训练_.mp4 | 2022-10-16 20:26:55 | 126 MB | |
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4.5Channel-声道训练（Pan）_.mp4 | 2022-10-16 20:26:55 | 72.5 MB | |
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4.6Channel-声道训练（M.S.MS.D）_.mp4 | 2022-10-16 20:26:55 | 159.5 MB | |
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4.9钢琴频率听感规律_.mp4 | 2022-10-16 20:26:55 | 187 MB | |
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5.10磁带机染色Magnetite_.mp4 | 2022-10-16 20:26:55 | 225 MB | |
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5.11让电吉他瞬间明亮的放大器_.mp4 | 2022-10-16 20:26:55 | 104 MB | |
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5.12来自Tube的硬核模拟染色_.mp4 | 2022-10-16 20:26:55 | 149.5 MB | |
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5.15VCA、OPTO压缩器应用_.mp4 | 2022-10-16 20:26:55 | 128.5 MB | |
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5.16三款经典总线压缩器_.mp4 | 2022-10-16 20:26:55 | 320.5 MB | |
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5.17来自Sonnox的动态通道条_.mp4 | 2022-10-16 20:26:55 | 305 MB | |
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5.18Vahalla空间设计插件-Reverb_.mp4 | 2022-10-16 20:26:55 | 327.5 MB | |
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5.19Vahalla空间设计插件-Delay_.mp4 | 2022-10-16 20:26:55 | 183.5 MB | |
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5.1解决立体声轨相位问题_.mp4 | 2022-10-16 20:26:55 | 390.5 MB | |
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5.20CLA大师签名系，易用、快速且高效_.mp4 | 2022-10-16 20:26:55 | 233 MB | |
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5.22Sonnox母带限制器_.mp4 | 2022-10-16 20:26:55 | 233.5 MB | |
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5.24Edelweiss简单好用的通道条_.mp4 | 2022-10-16 20:26:55 | 160.5 MB | |
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5.25风格混音开始前的一些话（请必听）_.mp4 | 2022-10-16 20:26:55 | 107 MB | |
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5.2瞬态比例修正_.mp4 | 2022-10-16 20:26:55 | 224 MB | |
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5.3串音？也许你需要一扇“门”_.mp4 | 2022-10-16 20:26:55 | 272 MB | |
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5.4侧链压缩在分轨的应用_.mp4 | 2022-10-16 20:26:55 | 158 MB | |
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5.6合理运用好加减法EQ_.mp4 | 2022-10-16 20:26:55 | 247 MB | |
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5.7为什么你导出音质会变差？_.mp4 | 2022-10-16 20:26:55 | 62 MB | |
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5.8话筒模拟饱和器Micmod.Microom_.mp4 | 2022-10-16 20:26:55 | 239 MB | |
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6.10塑造温暖的Bass_.mp4 | 2022-10-16 20:26:55 | 412 MB | |
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6.14Bell等特效电子的处理_.mp4 | 2022-10-16 20:26:55 | 753 MB | |
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6.15梦幻Synth点缀音色的处理_.mp4 | 2022-10-16 20:26:55 | 560.5 MB | |
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6.17HipHop-《Window》母带处理_.mp4 | 2022-10-16 20:26:55 | 430.5 MB | |
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6.3通道分配、Bus预混_.mp4 | 2022-10-16 20:26:55 | 591.5 MB | |
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6.5Kick弹性、瞬态塑造_.mp4 | 2022-10-16 20:26:55 | 1.04 GB | |
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6.7Hip-HopSnare塑造方法_.mp4 | 2022-10-16 20:26:55 | 821 MB | |
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6.9让Cymbal.FX更有层次感、更明亮_.mp4 | 2022-10-16 20:26:55 | 1.43 GB | |
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7.10让Bass充满饱和感_.mp4 | 2022-10-16 20:26:55 | 376.5 MB | |
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7.11人声主声部处理技巧思路_.mp4 | 2022-10-16 20:26:55 | 776.5 MB | |
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7.1220多轨伴唱混音技巧思路（一）_.mp4 | 2022-10-16 20:26:55 | 820.5 MB | |
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7.1520多轨伴唱混音技巧思路（四）_.mp4 | 2022-10-16 20:26:55 | 399 MB | |
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7.16钢琴与钢琴特效的塑造_.mp4 | 2022-10-16 20:26:55 | 252.5 MB | |
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7.17实录电吉他的塑造与快混方法_.mp4 | 2022-10-16 20:26:55 | 560.5 MB | |
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7.18MIDI电吉他的塑造_.mp4 | 2022-10-16 20:26:55 | 193.5 MB | |
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7.19扫弦木吉他的塑造_.mp4 | 2022-10-16 20:26:55 | 181 MB | |
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7.1BubblegumPop工程整理_.mp4 | 2022-10-16 20:26:55 | 1.11 GB | |
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7.20弦乐群奏与Pizz节奏的塑造_.mp4 | 2022-10-16 20:26:55 | 289.5 MB | |
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7.21Synth电子音色的塑造_.mp4 | 2022-10-16 20:26:55 | 474.5 MB | |
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7.22Pop-《SchoolboyFascination》母带处理_.mp4 | 2022-10-16 20:26:55 | 316.5 MB | |
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7.2LevelBalance（62Track）_.mp4 | 2022-10-16 20:26:55 | 1.79 GB | |
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7.3Bus、并联压缩通道分配_.mp4 | 2022-10-16 20:26:55 | 821.5 MB | |
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7.4Kick弹跳感塑造_.mp4 | 2022-10-16 20:26:55 | 848.5 MB | |
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7.5Snare力度与弹性塑造_.mp4 | 2022-10-16 20:26:55 | 754 MB | |
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7.85轨Tom如何更融合的处理？_.mp4 | 2022-10-16 20:26:55 | 945.5 MB | |
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8.11Drop部分Synth混合塑造（二）_.mp4 | 2022-10-16 20:26:55 | 619.5 MB | |
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8.12处理所有SFX音效_.mp4 | 2022-10-16 20:26:55 | 291 MB | |
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8.1Dubstep工程整理_.mp4 | 2022-10-16 20:26:55 | 530 MB | |
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8.2LevelBalance（31Track）_.mp4 | 2022-10-16 20:26:55 | 623.5 MB | |
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8.3Bus、Reverb通道分配_.mp4 | 2022-10-16 20:26:55 | 205.5 MB | |
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8.4Kick力度厚度塑造_.mp4 | 2022-10-16 20:26:55 | 533.5 MB | |
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8.9Lead明亮空间感塑造_.mp4 | 2022-10-16 20:26:55 | 481 MB | |
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9.11HiHat.SFXHat混音塑造_.mp4 | 2022-10-16 20:26:55 | 789.5 MB | |
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9.12Tom.SFXTom混音塑造_.mp4 | 2022-10-16 20:26:55 | 515 MB | |
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9.15超燃DropLead与自动化滤波_.mp4 | 2022-10-16 20:26:55 | 745.5 MB | |
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9.16DropFX音效组混音塑造_.mp4 | 2022-10-16 20:26:55 | 675 MB | |
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9.17Pad、人声特效混音塑造_.mp4 | 2022-10-16 20:26:55 | 506.5 MB | |
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9.18Bridge部分的Synth组塑造_.mp4 | 2022-10-16 20:26:55 | 641.5 MB | |
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9.19Noise、VoxFX平衡处理_.mp4 | 2022-10-16 20:26:55 | 965.5 MB | |
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9.1Trap&FutureBass工程整理_.mp4 | 2022-10-16 20:26:55 | 749.5 MB | |
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9.4Kick塑造圆润与饱和失真_.mp4 | 2022-10-16 20:26:55 | 938.5 MB | |
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9.5两轨过渡Kick的处理_.mp4 | 2022-10-16 20:26:55 | 786 MB | |
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9.6SFXKick的平衡处理_.mp4 | 2022-10-16 20:26:55 | 493 MB | |
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9.8Snare从薄到宽大_.mp4 | 2022-10-16 20:26:55 | 454.5 MB | |
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9.9SFXSnare的平衡处理_.mp4 | 2022-10-16 20:26:55 | 851 MB | |